Overlooked, by Arthur Tebbel & Chris Toia – Pop Art… and Chris #9
January 26, 2009 Arthur Tebbel & Chris Toia 5 Comments
Dear Art & Chris,
This past week we celebrated the 25th anniversary of the Macintosh computer and it should have been a banner week for me. I was in charge of developing the first one. However the Academy Awards really threw a wet blanket on my week when WALL-E was denied a nomination for Best Picture. The Reader? Really? How angry should I really feel about this?
– Steve Jobs, Apple Inc.
Steve,
Sure you should be angry, the Oscar voters are a bunch of ancient buffoons, but not that angry. You may be on a leave of absence from your day job (and feel better by the way) but you took a company with a group of die hard fans and turned it into one of the most respected brands in the world. I mean I guess there are people out there without iPods but I wouldn’t want to meet any of them. You also built a successful animation studio from the ground up and when you had beef with Michael Eisner over your deal with Disney you basically decapitated him. I mean sure you got dissed this week but you’ve got a lot to be happy about.
The biggest problem with the academy is that they can’t tell a good movie from whatever movie Harvey Weinstein has sent them in a gift basket full of coupons for the early bird special at Spago. I’m not saying they’re old but the first movie they voted for best picture was called “Mammoth” and they screened it on the cave wall.
What you should have issue with is the Animated Feature Oscar. They can toss you guys at Pixar an Oscar every year and call it square all the while not having to admit that the best picture that year might have been a movie their kids liked. It was clear after Beauty and the Beast came so close in 1991 that they couldn’t let that happen again. So they built you guys a separate but equal Oscar. They even let it on the same broadcast but I hear backstage the statue has to drink from a different water fountain.
You’ll get yours down the road though. It’s all about the payback Oscar these days. Training Day is a minstrel show compared to Malcolm X but guess what it says on Denzel Washington’s Best Actor Oscar? And no one that’s seen both movies could put The Departed over Raging Bull. They’ll get you back one day but get in line because they’ll probably pay you out after they get to Spike Lee and Quentin Tarantino (well maybe not Tarantino). I would save some space on your mantle for the shower of awards you’ll surely rake in for Cars 2. Then you can join the list of cinematic masterpieces like Crash, Dances With Wolves, and The English Patient. On second thought are you sure this is an award you want?
Howard Cruse
January 27, 2009 - 8:20 am
I have such problems with the whole idea of “best” thisses and thats—particularly in the realm of the arts. I even grumble about the charade involved in assigning grades to students in my cartooning class. On the other hand, I do like to see worthy creative people get public recognition in some way or other.
Categories aside, I guess if you throw enough Oscars at a wall, a reasonable number of them will impale themselves in the careers of artists who deserve them. The system is stupid, but it’s probably better than letting box office receipts alone be the measure of what gets a job-well-done salutation.
Martha Thomases
January 27, 2009 - 12:04 pm
Jobs also has an advantage because, since he wasn’t nominated, he doesn’t have to get dressed up and/or talk to Joan Rivers.
The Other Frank Miller
January 27, 2009 - 4:23 pm
Two quotes. Choose the one you like:
“They give Oscars to people like Charlton Heston.”–Two-time nominee Shirley Knight, one of the best actors in the business.
“They gave two of them to Luise Rainer.”–Alma Reville, whose husband never won an Oscar in competition.
Alan Coil
January 27, 2009 - 7:06 pm
I didn’t think Walleye was worthy of a nomination either.
Reg
January 28, 2009 - 8:01 am
@ Alan…
But you’ve gotta admit that Wall-E was a beautiful piece of film art. In both style and content.