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Making It Up As We Go, by Arthur Tebbel & Chris Toia – Pop Art… and Chris #15

March 17, 2009 Arthur Tebbel & Chris Toia 9 Comments

Upright Citizens BrigadeDear Chris,

I’m starting an introductory improv class this week.  This is a big change for me considering I currently do all of my comedy from the safety of a keyboard.  The site that publishes me doesn’t even run a photograph  I’m unsure of my ability to perform in front of an audience.

By way of background I want to tell you a story about my elementary school play.  We were doing a production of “The Emperor’s New Clothes” and I was playing the emperor.  I got stage fright so badly that I ended up just staring out at the audience.  I had to be forcibly removed from the stage by a janitor after it was clear that I wasn’t going to get over it.  Also this was at the end of the play so I was completely naked at the time.  It was a traumatizing experience.

You have a fair amount of experience taking improv classes so I thought you could help me out by telling me some of what to expect and how to get over any stage fright I might have.

-Arthur Tebbel, Michael Davis World Columnist

Art,

While I appreciate you asking me for advice, I thought I’ve been pretty clear in the past when I’ve said to you, “Art, you’d make a shitty improviser.” I’ll admit that secretly I never truly felt that way.  It’s always pretty funny watching you fail.  Until you start crying.

Quick bit of background.  Art’s learning long-form improv, a style of improv where one audience suggestion is used to set off a series of loosely connected scenes that will culminate in a final scene that deftly connects all the disparate elements of the prior scenes.  Many of SNL’s most famous actors like Jon Belushi and Chris Farley, came from improv troupes such as the Groundlings and Second City.  Long form improv has been enjoyed for years, but started its current rise to fame when NYC’s UCB Theatre had the innovation of offering $2 beers to patrons.  Now improv shows across the nation are frequently sold out and improv schools train legions of new improvisers every month.  But, what are these classes actually like?

No offense to anybody currently in an improv class, but what you can expect in your first level class is a bunch of sycophantic nerds and hipsters trying to emulate talented actors that make improv look effortless and hilarious.  Like college, most people take improv classes as a way of meeting new people to get drunk with and sometimes kiss.  They have shockingly little interest in learning the craft and are alternatively convinced that they’re either already great at improv or they have no intent on learning a good goddamned thing.

Fortunately after a week or two of classes most students realize how difficult improv really is, and decide to either make an effort or become completely apathetic about the whole affair.  At this point you’re going to learn a couple of the immutable laws of improv.  Rule one, don’t try to be funny, just act and respond naturally.  Art, you’re going to need to disregard that one, when you’re not trying to be funny you’re pretty fucking boring.  Rule two, never negate something someone else says, instead after someone makes a statement you should reply with “Yes, and”.  Art you’re a cantankerous son of a bitch so from now on before going on tirades you should practice saying, “Yes, and that’s the dumbest thing I’ve ever heard.”  Finally improv is a team activity, it’s important that you can trust and support  your fellow teammates at all times.  I don’t have a joke for this rule, most of the times you mess this up without any of my help.

Now that you know what to expect, I can help you get over your fears.  First of all, you can’t mess up while performing improv.  As long as you’re honest with yourself, and act at the top of your intelligence, you’ll always come out feeling like you’ve given a good performance.  Also, no matter how much you ask, no one will come to your friggin’ student performances.  All of a sudden everyone has to wash their hair, or they’ve left a cake in the oven, or they have their own student improv show half way across town that you were already trying to avoid.  Sincerely though, I realize this can be a daunting challenge but you’ve done great work here these last 15 weeks and I’m sure you’ll do fine there.


Art’s student performance will be at the UCB Theater at 12pm on October 29th. You’ll be able to recognize Chris as the man in the front row booing loudly.

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Comments

  1. Martha Thomases
    March 17, 2009 - 5:39 am

    According to the link, UCB seems to have a Death Ray. Is that some kind of trademark infringement?

  2. Vinnie Bartilucci
    March 17, 2009 - 6:31 am

    The Wife and I met at an improv class hosted by Chicago City Limits, the other group SNL seems to get all its new castmembers from. We were pretty good. Woulda coulda shoulda, y’know?

    This was back before Improv was “so hot right now”, and it was more people who really were interested.

    The UCB does an amazing mix of improv, sketch comedy and Kaufmanesque practical jokes. Amy Pohler was a founding member, as was Horatio Sanz and Daily Show Correspondent Matt Walsh. Talented folks.

    I’ve been cramming Del Close tributes into Dori’s novels for years now. The comedy relief character who shows up three times throughout the book is named Harold, and a similar guy who has terrible things happen to him in the second book is named Delbert Farr.

  3. Shane Kelly
    March 17, 2009 - 9:58 am

    I had spoken/blogged of my past with long form improvisation on another board (which will remain nameless). Almost all of the people mentioned in the article and in the ensuing responses came from ImprovOlympic. Which is where I graduated from.

    I was in Del’s last class (he died 1/2 way through the final session), and a bunch of his previous students took up the reigns to finish us up. So it was a rotating beast of Noah Gregoropolis, Kevin Dorff, and Miles Stroth.

    Unlike Vinnie, I didn’t meet my wife in the class. We actually took the classes together, and boy…Let me tell you that was a huge mistake.

    Chris sorta nailed it, in that you always “Yes, and…” and never say “no” during scene beats. Ditto for responding/reacting honestly because within the truth, lies the comedy. But, one thing Chris didn’t mention, and is a COMPLETE “NO NO”…NEVER tryi to prewrite scenes in your head and then attempt to fit them in your show or workshop. It has to happen organically, and 9 out of 10 times it works. How? I have no idea, but it does.

    Other tips… Monkey = Comedy Gold
    Don’t go too far on the “Crazy Train to WackyLand”
    People can tell when you are being fake
    The best improvisers are the best editors
    Ask the UCB staff about Del Close, and have them share
    their favorite “Del Tales” with you.
    Sometimes the best scenes happen when you become an
    inatimate object
    Do a physical activity when you have a brain cramp during
    a scene. It gets your brain out of the way.
    Finally… HAVE FUN WITH IT!!!

    Those are my 2 bits… Hope it helps

  4. Mike Gold
    March 17, 2009 - 12:16 pm

    Whole lotta people who hover around this precinct were students, co-performers, collaborators and fellow travelers of Del Close. John Ostrander, Kim Howard Johnson, Kim Yale… I’ve waxed on endlessly about Del at ComicMix, as has John. What a brilliant man.

    Del recorded the opening of the UCB teevee show’s first two seasons. When they needed a change for the third season, John stepped in for his late partner (Del, not Kim) and did a PERFECT vocal imitation. John and I also appeared on a UCB tribute show to Del. The troupe also acted out one of John and Del’s Wasteland stories.

    But it’s Kim Howard Johnson who wrote, last year, the definitive history of Del Close — The Funniest One In The Room, named after Del’s dying words (sort of). Pick it up. Everybody. Read it. Just read it!

    We’ve all got a zillion Del stories. Damn awesome. We even adapted a few for Munden’s Bar and Wasteland.

    Honored to have known him, proud to have worked with him.

  5. Shane Kelly
    March 17, 2009 - 1:56 pm

    Thank you Mike! I could not agree more. It is a shame that Del Close isn’t a household name, with all that he brought to the world with his twisted gifts.

    I would hope, that at some point, DC will compile the Wasteland series into an omnibus or at least collected in some capacity. If any of you haven’t read it, you MUST get a few issues. They aren’t all that expensive, and you should be able to find them in the quarter bins (if you can find them). It is seriously some brilliant stuff.

  6. Tatiana
    March 17, 2009 - 2:19 pm

    Much props to you Art. I’m a huge comedy fan and love Improv.

    In my acting classes the improv icebreakers were the hardest things for me at first. The exercises really require you to let loose and let go. Have fun humming scenes and talking in made up dialects and playing with props.

  7. Mike Gold
    March 18, 2009 - 6:49 am

    Best training I ever had: Crisis Intervention, and Improv.

    Come to think about it, they’re pretty close.

  8. Billy F
    March 21, 2009 - 10:29 am

    heh, I’m taking an improv class as well, Art.

    According to Chris though, I think I might wind up better at this than you: “Don’t try to be funny”? I’m an expert at that!

    -Billy

  9. Amanda B
    April 6, 2009 - 11:25 pm

    Wow Art. Hope you had fun in your improv class and met some supercool and superhot people.

    Oh…and I’m building a shrine to Convoy, if you need to come over and worship sometime.

    ‘Cause…I will.

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