“Magneto #6” by Marc Alan Fishman – Snarky Synopsis| @MDWorld
July 15, 2014 Marc Fishman 1 Comment
Written by Cullen Bunn. Art by Javier Fernandez and Dan Brown
The funniest thing to me lately with my reading habits is that I’m perpetually locked into trying new books, such that I nearly forget to catch up on those I’ve most recently enjoyed. Lucky me then, on a fairly light week, once again, the marvelous Magneto has magnetically adhered itself to the top of my pile. The gift then for me as a reviewer is to not just spend my time doling out story beats, and then laying bare my opinion on both the story and art. I’ve done it before with this creative team – and for those not keeping score, I can’t recommend this series any more than I already have done. What I can do now instead is really spend my time with the titular man (and mutant) hunter and see how he ticks in accordance to Cullen Bunn’s pen.
At the onset of the relaunch (if one could consider this book a relaunch) Bunn’s Magneto sees himself a grey wound in a black and white world of scar tissue. Unhappy at the atrocities that have continually befallen his species, Erik Lehnsherr decides that he will rise to become a judge, jury, and executioner of those charged with the crime of murdering a mutant. In issue #6, the deathpool expands outward to those mutants who have killed their own kind. Mr. Sinister’s Marauders – as Magneto helpfully expounds to himself several times throughout the issue – are pawns and grunts serving a higher power. It is boy coy and intelligent then that Magneto denotes (again, to himself I suppose) that he too once raised an army under his fist; In his case though, his pawns were at least decidedly homo-superior. No black on black crime for this angry Jew!
Because Cullen sets us a fly on the shoulder of the master of magnetism, and is dutiful to share his inner prose with us, it’s inevitable that we come to see him as our hero. And it’s hard in a sense, to not be swayed by his joie de vivre when he brutally murders a murderer. Painted as a more elegant Frank Castle leaves us a Magneto that is hard to deny is doing good of a sort. But any follower of Charles Xavier sees then the other side of the coin – should they have an actual conscience!
Do I believe in capital punishment? No, I don’t. Simply put, I don’t feel man has any right – regardless of sin – to take the life of another man. I’m not overly religious (if at all), but the agnostic in me says that when murder is made in the first degree… it is a pox on the species at large. I should note though: I’m a huge fan of corporal punishment. I say why let Hitler enjoy the freedom of death when you can pummel him daily?! But I digress. In the case of “Magneto”, our protagonist is vindicated in his justice, in spite of breaking the law in doing so. For making as many mutant killers pay the ultimate price, we see the forest for the trees. This is either Magneto doing as much righteous damage before he’s killed himself… or he’s making a final gambit to become a Batman-esque myth; To become an immortal price to be paid upon those who so choose to hunt homo-superior.
Concerning the issue itself, Magneto’s barely scathed in his quest. After laying several Marauders to rest (by way of some of the most inventive and gory methods one could imagine), the plan is set: Magneto will reprogram the next batch of cloned Sinister Slaves to become a new suicide-bomb-ready army of Brotherhood pawns. I don’t know if Sinister himself is still alive in the 616, but if he is, I’ll assume I should purchase flowers and a condolence card for whoever makes those crazy metal ribbon capes.
The story and pacing throughout the issue is slow, but methodical. A B-story regarding the now limbless Scalphunter leaves a few cryptic beats to put a pin in, and is much needed in the book. The opposing A-plot simply shows Magneto on yet-another murder mission. Six issues in, and Bunn has the tone and style down. From here on out – and trust me, he’s captured me until the end – I want to see some sharper left turns. Simply put? There’s only so much hard justice a man can take without knowing what the true master plan is. And if the plan truly is just a death march, it can be said now, and spare us too much more of the same.
Artistically Javier Fernandez and Dan Brown continue to deliver a book that looks as gritty as it reads. The book’s hard shifts in color are some of best I’ve seen in modern comics. The heavy inks here well placed. And Fernandez’s textural shifts showcase a look that simply should not be in a Big Two book… and he’s commended for it. There’s little left to say to the art aside from simply picking favorite moments. The death of a Prism is done so well with simple storytelling, that you could almost hear the faint crickle-crackle of eminent shattering. When a book is heard in your head when you’re reading it? The artists are doing their job well.
Ultimately, Magneto #6 is hopefully the last stop on the simplistic potential swan song of Erik Lehnsherr. The book has style, grace, grit, and vigor. My hope then now is to see a plan emerge, and from it, a continuous look into a villain fit to be grey in the continuously simplified world of cape and cowl comics.